DISPATCH FROM
Idyllic Park Becomes a Battlefield of Ideals
A redesign
project splits the people of
By Josh Getlin
LA Times Staff Writer
The
But appearances can be deceiving.
A long-running dispute over park renovation has turned the landmark square into
a battleground for community groups, which are quarreling over its physical
appearance — and its future. Recent public hearings have been nasty
free-for-alls, dividing neighbors who have lived side by side for years and
posing tough questions:
Should the park, dating to the 1820s, be restored as a model of precise urban
planning, with an iron fence designed to keep out dogs and vagrants? Or should
the now-scruffy square, long home to beatniks, folkies, rap poets, hip hop
artists and other iconoclasts, be left as it is?
The city's Landscape Preservation Commission approved a redesign plan last
week, and work is expected to begin this summer. Under the $16-million project,
the park's famous sunken plaza — a gathering spot for performance
artists and political speakers — would be raised up to street level and
realigned with the archway. There would also be renovations to paths and
gardens, which have grown shabby.
Then there is the fence, designed as a 4-foot-high iron and granite barrier,
which a coalition of local groups has vowed to fight.
As she lingered recently at the park's northern entrance to admire the
77-foot-high white marble arch, designed by architect Stanford White and
dedicated in 1895, Beverly Farber was appalled at the thought that anyone would
erect an iron fence around the square.
"What's the real agenda behind doing this?" she asked. "Why
would you keep people out of a park, even at night, since it's always been a
people's park?"
But Robert Carreon, who has lived near the square for
nearly 35 years, said a move to clean up the park and build a fence was
"perfectly acceptable, if you really want to see this remarkable spot
preserved. There's no danger of the square losing its character because this is
the heart of
Driving the debate is a 20-year real estate boom that has turned the once
quiet, moderately priced neighborhood of town houses and apartment buildings
into one of the city's priciest areas. Elegant co-ops and condominiums ringing
the square sell for $2 million and up.
And as gentrification has become a fact in
Landmarks from the area's rich cultural past are closing, such as the Bottom
Line nightclub, a venue for stars from the worlds of pop, jazz and folk music.
As the park's surroundings change,
"I've been here [in the park] for more than 40 years, I've seen it
all," said James Gallman, a street artist in his
70s who is known as the Matchstick Man because he makes jewelry boxes and other
items out of matchsticks and glue. "I think they should leave this place
alone…. We don't need to mess with it."
Similar feelings were expressed at a series of recent public meetings. George Vellonakis, a city parks official who designed the
renovation plan, was greeted by Village protesters at one hearing who held
handmade signs calling him a "rapist."
But others turned out to support the city's plan. Some residents voiced
anger over the nighttime influx of homeless people. They noted that community
leaders had been lobbying to renovate the park for decades, and said that a
fence would be a small price to pay to protect it.
As the arguments continue, city officials agreed last week to drop a plan
to install a locked gate at one entrance to the park. But Vellonakis
has strongly defended the rest of his proposals.
"Most of the city's plans have been supported by local
residents," he said, adding that virtually all parks in
"The protests we've received are typical of
Vellonakis insists that he wants to retain the park's
character. He points proudly to the sunken plaza area, which on weekends is
transformed into a free-wheeling performance space with musicians, jugglers,
actors and political speakers. There is no schedule, just a spontaneous expression
of art and opinion.
Critics of the city's plan agree that the plaza symbolizes the square's jumble
of people and feisty sense of freedom. And that, they say, is precisely the
point: Tampering with the chemistry of this open space could ruin it.
"When this plaza was created, it paid tribute to the great traditions of
the square," said Luther Harris, author of "Around Washington
Square." "This was the place where folk singers and other protesters
during the McCarthy era and civil rights movement would gather, to speak out
and be heard, and that same spirit continues today."
The plan to redesign the park, he said, "is a ham-handed attempt to bring
more order to the area. We all agree that the park needs new walkways. It's
run-down. But the city shouldn't be destroying the things that made